Australian Electronica: A Brief History’ in Shane Homan and Tony Mitchell (eds.) Sounds of then, Sound of Now: Popular Music in Australia Hobart; Australian Clearing… Read More
“Terminal Immersion”, Visual Communication, Sage, Vol. 6, No. 2, June, 2007. Terminal Immersion “Separation is the alpha and omega of the spectacle… The modern spectacle…… Read More
KNOW YOU’RE PRODUCT: A CONVERSATION between ROSS HARLEY and DAVID PESTORIUS [excerpt from the the forthcoming book and live shows, “The Brisbane Sound”, to be… Read More
ROSS RUDESCH HARLEY VS SODA_JERK article/interview/throwdown originally published in Photofile, August 2006. Pixel Pirate II trailer can be found on YouTube Artists have always been… Read More
100 VHS video source tapes recorded from free-to-air television in the 1980s and 1990s; VHS player; TV screen. Elastic: An Archive Project, Project X, Kings… Read More
Posted: December 2nd, 2005
Filed under: Video, Words
“SYD: a tale of two cities and how they entwine” (with Gillian Fuller), for Vol 1, No4 “The Glittering Tart”: Imaging Sydney, SCAN, refereed e-journal,… Read More
Aviopolis: A Book About Airports, (with Gillian Fuller), original colour photography, (plus limited edition CDROM and DVD), Black Dog Publishing, London, 2004, 160pages. Pagespreads from… Read More
Cara de Busetas is a photo+media installation project by Collectivo Ejecutivo, a small group of artists working on art+media+installation projects between Australia and the Americas.… Read More
Posted: August 2nd, 2004
Filed under: Photo, Words
RRH: Ross Rudesch Harley Videoworks, double DVD with 48page catalogue, published by MediaComPress in association with the Museum of Contemporary Art, Sydney, 2003. Limited edition… Read More
Posted: August 5th, 2003
Filed under: Video, Words
Kinetic Experience in the Age of Mechanical Motion by Ross Rudesch Harley [originally published in Convergence: The Journal of Research into New Media Technologies, London,… Read More
“Simeon Nelson’s Ambiguous Topographies”, Sherman Galleries, catalogue, 1999, p2. Simeon Nelson’s Ambiguous Topographies As cultural critics are fond of pointing out, the freeway is what… Read More
Editor, “Before and After Cinema”, Convergence: The Journal of Research into New Media Technologies, John Libbey Media, UK, Summer Vol 5 No. 2, Summer 1999,… Read More
[originally published in HQ Magazine, July, 1999] When Kodak released its first commercially available Super 8 silent film stock in 1965, nobody seriously thought that… Read More
“Mad Max: Creating a sonic character”, in Rebecca Coyle (ed) Settling the Score, Australian Film Television and Radio School, 1998, pp16-32. Creating a sonic character:… Read More
[First published in Scan, Vol1, Australian Video Festival, Sydney, 1988 Notes.] The desire inherent in research ushers from the seeker and, somehow suspended, doesn’t rest… Read More
“Cardoso Flea Circus Video”, Cantrills Filmnotes, Numbers 87,88, December 1997, pp4-8. Cardoso Flea Circus Video text by Ross Rudesch Harley In a world of sophisticated… Read More
“Entertainment of wonders and the conflux of apparent miracles: Magic, cinema and illusion in turn of the century performance”, Metro, Nos 113/114, 1997, pp. 48-54.… Read More
[Originally published in The Lightmouse Keeper, Nokia online journal, Helsinki, 1997.] “Let’s face it… you are afflicted with the South of the Border syndrome. What… Read More
“That’s Interaction: Audience participation in entertainment monopolies”, Convergence: The Journal of Research into New Media Technologies, London, Vol 2 No 1, Spring, 1996, pp 103-126.… Read More
